Robert Motherwell

Robert Motherwell was not only one of America’s most innovative artists, he was also a philosopher and scholar. Motherwell’s work and ideas had a profound effect on American artists in the mid-twentieth century and helped to usher in the era of Abstract Expressionism and uniquely American modern art.

Early Life and Education

Robert Motherwell was born in Aberdeen, Washington in 1915, and was raised in San Francisco, where his father was president of the Wells Fargo Bank.

Motherwell exhibited an aptitude for art as a young child, and was awarded a fellowship to the Otis Art Institute of Los Angeles when he was eleven years old. He studied painting at the California School of Fine Arts and then went on to get a BA in philosophy from Stanford University in 1937.

Motherwell toured Europe with his father and sister in 1935 and was exposed to European art in Paris, Rome, London, Amsterdam and other countries. While Motherwell absorbed the art, and his desire to be a painter grew, his father encouraged him to take a more practical career path. “And finally after months of really a cold war” Motherwell said, “he made a very generous agreement with me that if I would get a Ph.D. so that I would be equipped to teach in a college as an economic insurance, he would give me fifty dollars a week for the rest of my life to do whatever I wanted to do on the assumption that with fifty dollars I could not starve but it would be no inducement to last. So with that agreed on Harvard then—it was actually the last year—Harvard still had the best philosophy school in the world. And since I had taken my degree at Stanford in philosophy, and since he didn’t care what the Ph.D. was in, I went on to Harvard.”

Studying at Harvard led Motherwell back to Paris to study the works of Eugène Delacroix and then back to the U.S. to study at Columbia with art historian Meyer Schapiro.

It was Schapiro who encouraged Motherwell to paint, and Schapiro who introduced him to a group of European Surrealist artists living in New York. It was through these artists that Motherwell learned about automatism (which Motherwell called artful scribbling), the idea that art might be a manifestation of the artist’s subconscious, a concept that had a tremendous influence on his work.


In 1941, Motherwell traveled to Mexico with Surrealist painter Roberto Matta. He created pen and ink drawings, known as the Mexican Sketchbook, which combine the influence of Surrealism with the spontaneity of Abstract Expressionism.

Peggy Guggenheim helped to jump start Motherwell’s career with a solo show in her gallery. In 1944 MoMA bought one of his paintings for their permanent collection and his reputation, as a leading figure in America’s avant-garde art movement, began to take hold.

Motherwell taught painting at Hunter College in New York and at Black Mountain College in North Carolina, where he influenced artists like Robert Rauschenberg, Cy Twombly and Kenneth Noland. He also edited, wrote and lectured about modern art.

He often worked in series, like Elegies to the Spanish Republic, which focused on the human suffering during the Spanish Civil War.

In the 1960s, Motherwell began to produce lithographs, becoming the only artist of the first generation of Abstract Expressionists to use printmaking as part of his work.

Motherwell was married four times. He had two daughters with his second wife, Betty Little. His third wife was Color Field painter, Helen Frankenthaler, his fourth was photographer Renate Ponsold.


Robert Motherwell continued to create paint, print, lecture and write until his death, in 1991, at age 76. Hundreds of mourners attended his memorial service, held on the beach outside of his home in Provincetown, Massachusetts.

In 1981 Motherwell established the Dedalus Foundation to support art education and research.

In 1989, Motherwell received the National Medal of the Arts from President George Bush.

Robert Motherwell’s mural Reconciliation Elegy was commissioned by the National Gallery of Art in Washington in 1978. His works can be found in major museums and galleries around the world.

Robert Motherwell, 1982
Photographed by Hans Namuth
Collection of National Portrait Gallery, Washington, D.C.

Robert Motherwell
Personage (Autoportrait), 1943
The Solomon R. Guggenheim Foundation, Peggy Guggenheim Collection

Robert Motherwell
Harvest with Two White Stripes, 1973
Lithograph with Collage
36 X 18 inches
Edition of 55
For sale at VFA

Robert Motherwell
Reconciliation Elegy, 1978
National Gallery of Art, Washington, D.C.



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