Frank Stella began creating prints in earnest at Ken Tyler’s workshop in Los Angeles in 1967. When Tyler opened Tyler Graphics, Limited in New York, the two men began a collaboration that continued until Tyler closed up shop in 2000.
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In 1962, New York gallery owner, Leo Castelli, chose to represent Roy Lichtenstein. He had seen the works of Andy Warhol and James Rosenquist, and considered representing one of them, but it was Lichtenstein who made the cut.
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Carlos Rolón created street art and abstract paintings early on in his career, but was drawn to Kustom Kulture, a uniquely American way of customizing cars, hair, fashion … anything that can be made glitzy and kitsch.
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Frankenthaler’s unique diluted oils technique produced intriguing, water color-like, diaphanous sweeps of color that carried with them little evidence of a brush stroke.
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It was the work of Richard Anuszkiewicz that has given the world a better understanding of how color works and the visual complexities of space, line and color.
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Here’s a look at some of the works we have recently acquired, by some of our favorite artists: Jim Dine, Louise Nevelson, Frank Stella, Vik Muniz and Donald Sultan.
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Tiffany & Co., on New Bond Street in London, has recreated some of Johns’ and Rauschenberg’s most dramatic displays to coincide with the Robert Rauschenberg retrospective, which is at the Tate Modern through April 2017.
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Mel Bochner’s ability to combine words, color and texture has seen his work set new records at auction and is in more demand than ever.
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