With this work, I am interested in showing different aspects of generative art and how the methodology may be applied across distinct media. At its core, my work is centered around algorithms, making it not only natively digital but intensely computer-centric. The digital works shown here are an expression of that.

The algorithms themselves are structurally built around randomness, making each output unique. As a result, I am not concerned with crafting a singular image, but rather an entire space of potential outputs. The series of screenprints I am exhibiting, titled iostream, collectively capture some of the range of that space. They all come from one identical algorithm, but each illuminates its own particular corner of the generative space.

Both the screenprints and the painting, Return One [Blue], touch on an important element of my work: the relationship between the physical and the digital. Just as our lives are ever-intertwining the two, my art blurs the boundaries and combines elements of the two. In some ways, the flaws of analogue production provide a conduit for our physical senses to appreciate and understand what might otherwise be an alien concept.